Find us on Facebookfb

Brochure_CoverWe're launching something new this year! It's called the Gallery 7 Theatre Club.


The Galley 7 Theatre Club is for those who love theatre and want to dig deeper into the themes and ideas that result from seeing a production. Here's how it will work:


G7Theatre Club members will attend the November 10th matinee of Sense and Sensibility. You purchase your own ticket and sit wherever you like. Immediately following the production, we'll leave the theatre and reconvene at House of James (2743 Emerson Street, Abbotsford) where owner Lando Klassen will have reserved tables for us and where staff are preparing a unique drink just for G7 Theatre Club members! As we enjoy dinner together, we'll use the popular Gallery & Theatre Discussion Guide to guide us as we discuss the play itself, our experience of it, its themes and more.


The G7 Theatre Club is meant to enrich your enrich your theatre experience as you learn from the discussion and see how other patrons have seen the play.


The discussion will be led by Angelika Dawson, who is an avid theatre fan, a Gallery 7 Theater board member and who edits the Discussion Guide for each play. She is looking forward to meeting you and seeing the production through your eyes!


For more information and to register, email Dawson at This email address is being protected from spambots. You need JavaScript enabled to view it. She will be happy to answer any questions you may have. Space is limited so don't delay, register today!

The_ForeignerToday, we conclude our series, Why I Chose the Plays I Chose, with Ken Hildebrandt's thoughts on our final production of the 2012/2013 Theatre for Life! season, Larry Shue's hilarious comedy, The Foreigner. Enjoy!


The Foreigner is another one of those plays that's been on the list for a long, LONG time that had to wait for just the right year to be included in the season. I first became acquainted with Larry Shue's adventure/comedy around the time that our friends at Pacific Theatre produced it in Vancouver, featuring Erla Faye Forsyth as Betty Meeks. It was a delight to watch her in that role, and I believe that performance was one of the few shows I remember laughing at...and I mean really laughing in a good, out-loud, boisterous kind of way.


This play has had a lot of stage time in our community. We've seen it on school, amateur, college and professional stages through-out the Lower Mainland. Like The Importance of Being Earnest, it seems like every theatre at some point in its history produces this gem of a show. It's almost like a theatre's rite of passage.


So why The Foreigner now at Gallery 7? Good question. I always look for something light for the end of the season – a comedy that will lift people's spirits. June is traditionally a bit of a tough month – it's not quite spring but not quite summer. The weather can be quite unpredictable and everyone is hunkered down, finishing off the school year. It seems only fitting that we help people through this grueling month and celebrate the approaching summer season with a comedy! This play fits the bill perfectly.


The Foreigner is pure fun, filled with adventure, intrigue and even a touch of romance. It's about a pathologically shy gentleman named Charlie who is quite down on his luck of late. To lift his spirits, his good friend, Froggy, a munitions expert in the British army, treats him to a retreat at a run-down fishing lodge in rural Georgia, run by the beloved Betty Meeks. To help Charlie, Froggy announces to everyone at the lodge that his friend is from an exotic foreign country and can't speak a lick of English. The lodge's entrepreneur and fellow guests embrace Charlie, but it seems that treachery is afoot and all is not as it seems. That's where the fun begins as Charlie becomes the unwitting witness to a plot to have the fishing lodge condemned and to put Betty out of business forever.


Sounds like fun doesn't it? It is! And for those looking for a little spiritual and intellectual nourishment, there's a few food-for-thought things sprinkled in too about relationships, racism and truth verses lies. It's a perfect fit for our theatre, and for our final production of the season.


It's been fun sharing with you some of my thoughts on the 2012/2013 season and I hope you'll join us for an amazing adventure in theatre. As you've heard me say so many times before, there's nothing quite like the live theatre experience. So get your friends and family together, get some tickets (or better yet, season passes) and do something out of the ordinary. See you at the shows!


About Ken Hildebrandt, Executive/Artistic Director



Ken is the founding Executive/Artistic Director of Gallery 7 Theatre and is thrilled to be celebrating 22 years with the theatre. Select acting credits include Macbeth, Beau Jest,  Cotton Patch Gospel and most recently, Tuesdays with Morrie, which played at both Gallery 7 Theatre and at Pacific Theatre in Vancouver. Directing credits include Lost in Yonkers, Adventures of Huckleberry Finn, The Diary of Anne Frank, The Importance of Being Earnest and the award-winning Driving Miss Daisy. Behind the scenes, Ken enjoys lighting up the stage, and has many lighting design credits to his name.  When not doing theatre, Ken enjoys announcing at airshows through-out Western Canada and Washington State, flying around the Fraser Valley in a Cessna, and relaxing at home with friends, TV and video games.

430433_425962524129416_1056150345_nWe continue our blog series today with Ken Hildebrandt's thoughts on why he selected Mary's Wedding to be part of our 2012/2013 Theatre for Life! Season...If you haven't heard of this play before, you'll want to read this for sure as Ken gives some great insights in to the story...


Stephen Massicotte is one of Canada's hottest playwrights right now, partly because of his very moving, and popular, play, Mary's Wedding. Remember a couple of blogs ago I mentioned that a "must-do" play sometimes has to wait a couple of years because of timing? Mary's Wedding is such an example. I was introduced to this play a few years back by our Front of House Manager, Corry Vandermeer, who had seen the show at Theatre Calgary. I obliged a reading, perhaps with a touch of skepticism, but immediately fell in love with it.


Mary's Wedding takes place in Saskatchewan between 1910 and 1912. It starts on the eve of Mary's wedding, a night filled with dreams, even nightmares, as she reflects back on her first love, Charlie. The two met accidentally in a barn while escaping a prairie thunderstorm and an innocent love affair blossoms. Their burgeoning romance soon faces challenges as Charlie's thoughts turn to serving in the cavalry to fight the Germans overseas. From the front, Charlie sends Mary love letters, sharing with her the atrocities of the war experience while expressing his love and concern to and for her. As the war carries on, Mary must face the reality that she may never see her Charlie again, and a story of love, loss, innocence, healing and even heroism emerges as both must face their destiny.


Massicotte has masterfully crafted an intimate story of innocent love set against an epic back-drop of the Great War. The writing is so poetic, so beautiful, and the story so touching and moving that it's almost difficult to describe. It can only be experienced for ones' self. I fell in love with the sincere characters whose circumstances have been upset both by world events and by personal choice. Though my life experience was different from theirs, I could relate to them, identify with them and empathize with their plight. Both Mary and Charlie were every-day people caught up, and affected by, world events and that made them even more relatable.


As a stage experience, I was immediately caught up in the play's kind of play. Though the story is grounded in reality and is even based on some real-world characters, it is very stylistic in its execution. The story seamlessly transitions from the Saskatchewan prairie to the mud-pits of the battle field as Charlie sends Mary love letters from the front. Scene changes are non-existent and the audience is asked to actively use their imagination as the story unfolds. The actor playing Mary also plays a military sergeant in Charlie's regiment, a convention that further underscores the stylistic nature of the piece. There's even a horse-back ride that requires imagination and ingenuity on the part of the production team, and when done simply and effectively, will be a very exciting moment for audiences.


I think Mary's Wedding is a timely piece, both on individual and global levels. I think we can all relate to the experience of having fallen in and out of love, of facing loss in the wake of tragedy, and of having to pick up the pieces of our lives and move forward. On a global front, conflict continues to surface around the world, and we are faced with deciding what is right and wrong, truth and false as battle lines are drawn. We are faced with the question of what heroism truly is as families continue to be ripped apart by the horrors of war.


Now that all sounds quite heavy, and it is, but don't let that scare you away from what I think is going to be an amazing theatre experience for all the reasons I described above. I fell in love with this play on first reading, and I think you're going to fall in love with it too.

Today, our Artistic Director, Ken Hildebrandt, shares some thoughts on why he selected Swallows and Amazons for our March production. This blog post is part of an on-going series called Why I Chose the Plays I Chose. We hope these blog posts serve as a great introduction to the plays in our 2012/2013 Theatre for Life! Season.


Swallows_and_AmazonsWhen I set out to plan this year's season, I had no intention of doing another musical. Not because I don't like musicals, but because we had featured The Fantasticks in our previous season, and we've been following an "every-other-year" pattern of sorts. Furthermore, musicals present numerous extra challenges in that they are more expensive to produce and demand a much larger artistic and production team to execute properly. In terms of programming, we have to balance the complexity of our productions with our limited resources.


Then I read Swallows and Amazons as adapted by Helen Edmundson. I had never heard of the title before, nor had I heard of Arthur Ransome and his classic children's stories. What I found in the script, though, was an endearing tale about a group of kids embarking on a summer adventure not to be forgotten. The show had the flavour of our recent production of Peter Pan and it celebrated youth in such a fun and charming way. I was hooked.


Essentially, the story is about a group of young people who embark on a summer wilderness adventure in their trusty rowboat, Swallow. They imagine themselves as pirates, seeking to set-up camp on a deserted island. They find, however, they are not alone on this island. There are other pirates, a band of neighbourhood kids, known as the Amazons. In the spirit of fun-loving competition, the Swallows challenge the Amazons to see who can capture the other's boat first. But evil also lurks on the lake, and the kids must team together to face the cantankerous Captain Flint and help foil an attempted robbery.


Talk about a fun adventure, perfect for kids and their families. And what better way to launch the spring season, and spring break, than with an action-packed and exciting journey that reminds us of those great summer memories from our childhood.


But Swallows and Amazons is not just a children's story, nor is it a play being performed by children. As a story, it transcends age. It encourages both young and old to re-engage their imaginations, to seek adventures that, whatever it might be, inspires life and lifts us out of the drudgery of mundane, everyday living. What a perfect fit for our theatre whose mandate is to present plays that stir the heart, stimulate the mind, and elevate the soul. And what a fun take on the theme of "being like children..."


As a production, this play presents some unique and creative challenges. Putting aside the musical elements along with the associated challenges, this production requires the free-flowing, uninhibited use of our imaginations as a foundation on which to build the entire show design & production-wise. In terms of casting, our intent is to cast adults in the roles of the children as much as possible, thus connecting the span of age with the timeless nature of the story, and making it relevant for both the young and the young at heart.


In terms of props and sets, it's nearly impossible to re-create what the script requires in terms of boats, islands and floating houses realistically. Rather, the show relies on the use of "found objects" to recreate the world of the characters. So, a feather duster might be a parrot or a paddle or a shovel or something. As a result, the audience is invited to imagine along with us as the story unfolds, making this production a truly innovative and fun theatre experience.


I'm particularly thrilled that our production will be the Canadian amateur premier of this play. This is the first time that any group of our kind has produced this play in our nation. Talk about super-cool!


I hope you will join us for this amazing adventure, a theatre experience sure to lift your spirits.


Season Passes Still Available...


You can enjoy all four productions in our our 2012/2013 Theatre for Life! Season and save up to 25% off individual tickets. The EXCLUSIVE PACKAGE allows you to go to an evening performance of each production and the MATINEE PACKAGE allows you to go to a matinee performance of each show. Check out the benefits of getting a season pass here. You won't be sorry! Order online, or visit the House of James, 2743 Emerson Street, Abbotsford, today!

We continue our series, "Why I Chose the Plays I Chose" as Gallery 7's Artistic Director, Ken Hildebrandt, shares why our theme this year is "Theatre for Life!" and why he selected Sense and Sensibility as the opening production of our 2012/2013 season...


ken_hildebrandt0650_-_smBefore I get to talking about why I selected Jane Austen's Sense and Sensibility for our opening production in November, I thought I'd share just a bit about why this year's theme is "Theatre for Life!"


If you think about it, this year's theme has a double meaning. On the one hand, Gallery 7 is in the business of producing "live" theatre. There's nothing quite like the live theatre experience: it's immediate, it's organic, and the experience changes with every performance. It is a communal event that lives, breathes and changes as a direct result of the connection between performer and audience member alike.


On the other hand, we produce plays that we trust are "life-giving" to our audiences. If people are entertained, if we connect with their emotions, their intellect, their spirits, and if they are encouraged to think or be challenged to talk about some of the themes explored, we achieve a "life" experience that elevates the soul and stretches towards that which is eternal! Now that really is "theatre for life!"


Now, on to why I chose Sense and Sensibility. I like to start off the season with a well-known production in order to generate some big excitement about the coming season. With the success of our production of Pride and Prejudice two years ago, and with their being a strong Jane Austen fan-base in our area, it seemed only fitting and logical that Sense and Sensibility be selected as one of our "anchor" shows for the year.


Sense and Sensibility also explores themes that I think are important to us as a faith-based theatre. Love, relationships, trust, family, coping with loss and rejection...these are all realities we face in the course of our human experience. With Jane Austen's story, we're forced to face these themes head on, to explore and evaluate them, and hopefully in the end, be inspired and challenged. And, as these themes unfold, we're taken on an emotional and intellectual rollercoaster ride complete with highs and lows, the very stuff of great, entertaining theatre.


Jon Jory's adaptation, the script we've elected to use, captures the essence of Austen's story in a theatrical and entertaining way, yet doesn't impose heavy technical demands on our mostly volunteer team. Though Austen's story is epic, yet ironically intimate in its scope, Jory has managed to craft a theatre experience that moves quickly and deftly through the story.Sense__Sensibility


Lastly, this production provides some wonderful acting opportunities for female performers. In an industry where more characters are written for men than for women, and in an industry where fewer men audition than women, we have to work a bit harder to ensure we offer challenging opportunities for female artists. Sense and Sensibility certainly accomplishes that.


In the end, Sense and Sensibility is a play that people of all ages should enjoy, making it a great fit for our opening production of the 2012/2013 season.


Sense and Sensibility runs November 2 & 3, 8 - 10, 15 - 17 at 7:30 PM with matinees on November 3, 10 & 17 at 2:00 PM at the MEI Theatre, 4081 Clearbrook Road, Abbotsford. Individual tickets go on sale late September.