A few notes from Crusoe director, Carissa Boynton
Written by Ken Hildebrandt   
Wednesday, 01 February 2012 14:25
crusoe_reh-1161smI wonder who are we when we are really forced to be real with ourselves and give up being influenced by the world around us? How do the influences of our shaping worlds stick to us after we are forced to give up that world?

 

These themes resonated with me when I first read Robinson Crusoe. I saw him, after being shipwrecked and losing all contact with any human companion, being forced to find his own meaning in life and living solo. When he is unexpectedly blessed with a companion I felt him re-evaluating his ideas on God, friendship and human ownership.

 

I wanted to explore how easily we fall back into the same patterns of living we have once abandoned after finding them false. Are emotions and ways of being changeable given the situations we find ourselves in in life? Is there any real right or wrong and is it wrong to adjust our ideas of right and wrong to fit our lives? How much should we cater to the social world around us, and once we give that up, how much do we let social norms again dictate our lives?

 

Crusoe's soul searching journey is full of ups and downs, emotional heartache, joy, and ultimate triumph.

 

 

carissa_boynton-1014-sm

About Carissa Boynton:


 

 Carissa loves giving a story to an audience. She's passionate about all aspects of theatre and has a long history working both on, and back of, the stage. Carissa studied in Vancouver to better learn how to use her mind, body, and voice

in the intricacies of telling a true story, and has since moved on to directing.

 

She enjoys directing and would like to thank Gallery 7 for continuing to have faith in her abilities. She would also like to thank her actors and stage crew for their hard work, and for putting up with her blunt and bossy ways. All the little details are what bring a story to life and this play has been a mountain of work by a lot of people.

Joomla Templates and Joomla Extensions by ZooTemplate.Com
Audience Reviews: Robinson Crusoe
Written by Ken Hildebrandt   
Thursday, 26 January 2012 13:39

crusoe_reh-4795smHere's what people have said thus far about our current production of Robinson Crusoe...

 

We enjoyed the show...a little more serious in nature (not that serious is a bad thing!) but so well done as all of your performances have been... We are very impressed with the quality of your productions. The actor who played Robinson Crusoe did a fabulous job and carried the show well. -Audience Member

 

 

(The show) was well-done as per usual...I loved the second half which included Friday, as the performance was more lively and interesting. -Audience Member

 

 

I must say Robinson Crusoe was well done....I believe the goal of being alone for a very long time was achieved. The actor was amazing...bravo! Well done! -Audience Member

 

 

My husband and I really enjoyed the show! That was an amazing amount of script for one person to commit to memory – well done, Mr. Abrahams! Thank you so much for ... the wonderful performance! -Audience Member

 

 

My wife and I enjoyed the show tremendously. Watching Andrew Abrahams hold the audience's attention with his one man tour-de-force performance was fantastic. It was stylistically a different kind of performance than I am used to seeing, but found myself drawn into Crusoe's world. Thanks again for a great night. We love having such a great theatre experience so close by. -Audience Member

 

 

We thought the show was fantastic – how could one person remember that entire script? Those lighting and set workers really had their work cut out for them. It wasn't just the story itself that was amazing – for a small theatrical company – it was a top class performance! Our boys are 13 and 15 and as you can imagine, it's difficult sometimes to find events or places to take them that they find more appealing than playing games on the internet. They were spellbound through the entire show and talked about it all night. -Audience Member

 

 

All of our staff that attended the play last Friday night said it was a great experience and were thrilled with the quality of the production. -Staff Member speaking on behalf of her colleagues

 

 

We had a great evening, regardless of the weather. (We) were amazed at the volume of memorization/monologue from Crusoe. Our friends, whom we invited, very much enjoyed their experience. This is a powerful story of how God can change one's perspective in terms of the value of all humanity. -Audience Member

 

 

Such a great show - the set is fantastic and I particularly loved Ben's performance as Friday. Andrew was great too - make sure you see this one! -Audience Member

 

 

We enjoyed Robinson Crusoe very much. Gallery 7 continues to produce excellent plays. -Audience Member

 

 

I have to add my kudos. Robinson Crusoe was an amazing show. Andrew Abrahams' performance was outstanding. Once again I was delighted with the whole show; set, lighting, and actors. Thank you for an enjoyable evening. -Audience Member

 

 

Fantastic opening night at Gallery 7 Theatre. Robinson Crusoe was excellent. Go see it. -posted on Twitter.

Joomla Templates and Joomla Extensions by ZooTemplate.Com
More Photos from Robinson Crusoe...
Written by Ken Hildebrandt   
Wednesday, 25 January 2012 15:40
Joomla Templates and Joomla Extensions by ZooTemplate.Com
Meet Nicole Bach: Set & Lighting Designer for Robinson Crusoe
Written by Ken Hildebrandt   
Thursday, 19 January 2012 15:38
nicole_bach-1030-smNicole is new to Gallery 7 Theatre, but no stranger to the Vancouver theatre scene. She is a Jessie award winning costume designer, and has done set, lighting and costume design for numerous productions in Vancouver. She recently graduated from University of Alberta with a MFA in Theatre Design. She has done double duty with our production of Robinson Crusoe doing both light and set design. Gallery 7 had a chance to interview Nicole during the busy week in the lead up to our opening night this Friday!

 


 

Gallery 7: Tell us about your theatre background – have you always done design work or have you been involved in other theatre elements like acting or directing?

 

Nicole: I started acting in highschool and found that I also enjoyed working behind the scenes. I have dabbled in directing and playwriting but I feel most at home as a designer.

 

G7: How did you get involved with Gallery 7? Is it important to you to be involved with a faith-based theatre?

 

N: Honestly, I found Gallery 7's posting on Craig's List and I had no idea that it was a faith-based theatre. I was pleasantly surprised. I don't discriminate between working with faith-based or secular theatres, I find all theatre an opportunity for spiritual growth.

 

G7: Tell us about your thought process as you prepared the set design for Robinson Crusoe. What are you hoping to achieve with your design?

 

N: I wanted to create a very full stage picture that emphasizes Crusoe's smallness as one man in a vast, open landscape. I wanted to communicate his feeling of being along in the world, but also portray the beauty of his natural environment.

 

G7: You also designed the lighting for the play. Tell us about that.

 

N: I designed the set with the lighting in mind, knowing that the sail would be a transitional piece that could reflect colour and lighting. The mood shifts from heavy to light, and back and forth as Crusoe struggles to find meaning in his isolation.

 

G7: Had you read the book or seen any other version of this story before working on this play? Do you think seeing a movie version of a play before working on it is a help or a hindrance?

 

N: I had not seen the movie or read the book though I was vaguely familiar with the story. I chose not to watch a film version in this case although it can be helpful in other cases. This time, I wanted to make sure my ideas came from my own intuition not another interpretation.

 

G7: What were some of the challenges you faced in the design process?

 

N: MEI does not have a fly system to work with so it was a major challenge to safely rig the sale. The moving components on the set were also challenging to safely implement.

 

G7: Are there any interesting facts about your designs that the audience should know about?

 

N: The floor cloth was painted with the help of several volunteers. I based my design on a 17th century map of the Caribbean and it is meant to look like old parchment. Also I incorporated foot lighting at the front of the stage to help give a historical feel to the lighting - this is a traditional method called foot-candles.

 

G7: What do you hope the audience will take away from this play?

 

N: I hope the audience can enjoy the kinetic sense of the set and the way it can transform. I hope they enjoy the storytelling and imaginary world of the island!

 

Here are some photos of the set model Nicole built for Robinson Crusoe. A model of the set is very useful to the production team, as it assists in planning staging and construction. It's important to point out here that the model below showcases the overall concept for the set to be built, and does not necessarily reflect the colors that will ultimately be used. You'll have to come out to the show to see just how the set, complete with a rocking platform and flyable sail, looks in real life.



Joomla Templates and Joomla Extensions by ZooTemplate.Com
Insights from Our A.D. - Robinson Crusoe
Written by Ken Hildebrandt   
Wednesday, 18 January 2012 17:39
Iken_hildebrandt0650_-_sm selected Robinson Crusoe for this season because of the compelling questions the play asks about society, friendship and faith. Our hero's imperialist, and dare I say highly evangelical, attitudes, prejudices and faith is shaken to the core by circumstances way beyond his feeble control. He is compelled to examine the validity of his beliefs and is forced to either affirm or change his understanding.

 

What's fascinating is that Crusoe's eventual transformation is not ultimately lived out in a vacuum – it is tested against the backdrop of the old order and in the context of new-found community. I'm particularly intrigued by Crusoe and Friday's friendship, how they each come to tolerate, if not appreciate, each other's views despite how their opinions place them on near opposite philosophical and religious extremes.

 

We find in this classic adventure story a raw and human journey where big, and difficult, questions are asked of self, of others and of God. Through Crusoe's experiences, we're confronted with examining our own values, traditions and beliefs, to discover where falsehood and sense of entitlement lingers, where our understanding and the reality of God conflict, and where prejudice still lurks in the darker places of our soul. In considering the themes of this play, I'm left to ponder whether such questions are a sign of doubt and weakness, or the starting points for a deeper, stronger and more honest faith.

 

We've pulled out all the stops, as we do for all our productions, to bring you another exciting and compelling theatre experience. We've maximized our technical capabilities with this production, the end result being a visually stunning show that has an often humorous, but always human emotional and spiritual journey at its heart. Enjoy the adventure!

 

Ken Hildebrandt
Executive Artistic Director

Joomla Templates and Joomla Extensions by ZooTemplate.Com
«StartPrev11121314151617181920NextEnd»

Page 12 of 23